Further Concept Information:

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"O you who rashly approaches these shores, I thank you.

O you who bravely enters my wastes of weeping and pulls us both out, radiant, I love you."

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These pieces are a representation of the tolls a partner endures through caring for a sufferer of Borderline Personality Disorder. Although designed in reflection of the carer, they are worn by sufferer to express gratitude and awareness of her partners choice to wear these pains. daily, with endless humility, strength and respect. Using 1600-1630 men's doublet patterns, Yan draws up the alignment of Scotland and England at this time to show the couples experience of battle, their then (historically) allied countries and naturally their unity as partners. Yan has used texts favoured for their personal interpretation of the complex support needs, behaviours and damages present. These texts are preferred mediums in creative inspiration; from opera and period fiction, references of historical everyday culture, ancient tongues and practice and poetry that feature strong visuals, so chosen to compliment the costume's conceptual nature. In transparent black, Yan represents the overshadowed and silent acceptance of these hardships, the tone on tone texture further expresses this toll and the cut shows the shaping and reinvention caused by these traumas. Taking additional inspiration from the Scottish coast, Yan uses the dark twisting forms cast upon the shore, the creaking vessels that ride the waters surface and the weathering of the ever stable and enduring land. These visuals are used in collaboration with the motion of swell, wind, spray, tide and the rhythm of early 17th century operatic musical phrasing to embellish textile and movement. 

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